Permapoesis is the portmanteau for permanent making, a term I've developed, incorporating permaculture principles and indigenous thinking, to define a practice of art that participates in what it represents; that is of its environment; that generates no waste.
Through developing processes of permapoesis I recognise Aboriginal intelligence (people not driven by technics but rather by the logic and spirit of country) as the means for future ecological functioning – reclaiming the sensuous, uncertain and intimate, composting anthropocentrism, moving from agriculture's fences, chemicals and motors to more chance orientated modes of existence such as foraging, gardening and hunting, on foot.
In this context permapoesis is a reclaiming of locavore sensibilities; a poetic of nearness; an economics of material accountability; walking for food.
My art and writing have appeared in various publications including Artlink, Meanjin, Cordite, Arena, Jacket, Trouble, Overland, Rabbit, HEAT, Going Down Swinging, Southerly, D!SSENT, The Material Poem and Arena. I have works included in recent issues of ecopoetics (US), Spiral Orb (US), Philosophy Activism Nature - PAN (AUS) and Angelaki (UK), and my work was featured in The Atlantic (US) in 2010. In 2012 my poem Step by Step was awarded joint runner-up of the 2011 Overland Judith Wright Poetry Prize. My collaborative street art practice with Jason Workman, called WorkmanJones (2006-2009), was featured in an exhibition titled Too Much of Me: 7 Paths Through the Absurd at MUMA in 2009. In late 2008 I published A Free-dragging Manifesto along side Peter O'Mara's subtext in a publication we jointly titled How To Do Words With Things - You can read Astrid Lorange's review in Jacket here or scroll down to read the book.
As the Artist as Family we installed Food Forest in 2010, a public artwork as community garden in Sydney, commissioned at the invitation of the MCA, as part of the exhibition In the balance: art for a changing world. Food Forest was funded by the Keir Foundation. In 2012-13 we are working on a similar project in Melbourne - we'll keep you posted.
I am currently on scholarship undertaking doctoral work at UWS within the Writing and Society Research Group, where my research involves the development of my concept, permapoesis.
In 2004 I edited the anthology Words and Things: concrete poetry/ supersigns/ multiple language, which was joint winner of the 2005 SCU National Artist Book Award. It was funded through the Regional Arts Fund. Click the below image for James Stuart's review in Cordite.
Words and Things, 2004 (Reverie)
Designed by Ian Robertson. Including works by Marie Sierra, Jeff Stewart, Peter Tyndall, Peter O'Mara, Alex Selenitch, Patrick Jones, Geoffrey Baxter, Aleks Danko and Richard Tipping. (Out of print)
Read Words and Things here
A Free-dragging Manifesto, 2008 (Tree-Elbow)
In 2008 I published How To Do Words with Things: A Free-dragging Manifesto along side Peter O'Mara's volume of visual poems Subtext.
Read or download free here.
A Free-dragging Manifesto (cover)
Designed by Ian Robertson. Funded by Regional Arts Victoria. You can read Astrid Lorange's review in Jacket by clicking on the image above.
James Stuart's 2007 Anthology
The Material Poem features the work of Australian poets, artists and critics, all of whom are engaged with poetry, and more broadly language, as a material form. Includes: ALEX SELENITSCH | AMANDA STEWART | CHRIS EDWARDS | ELENA KNOX | FRANZ EHMANN | GARETH JENKINS |HAZEL SMITH | JAMES STUART | JILL JONES & ANNETTE WILLIS | JOHANNA FEATHERSTONE | KLARE LANSON | KOMNINOS ZERVOS | KRISTIN HANNAFORD | LINDA CARROLI | LINDA MARIE WALKER | MICHAEL FARRELL | NATASHA DUSENJKO | NICK KEYS | NORMANA WIGHT & ANNE KIRKER | PATRICK JONES | PETER LYSSIOTIS | PETER O’MARA | RICHARD TIPPING | RUARK LEWIS | WAYZGOOSE PRESS
Coming Soon (to a life-style near you)
Future Scenarios road sign (after David Holmgren). Concept and design by Patrick Jones (with Ian Robertson), 2009.
Tree-Elbow
Ian Robertson, Meg Ulman and Patrick Jones direct this micro-press. Please contact us: treeelbow[at]gmail[dot]com
Throughout the year, Miyuki Jokiranta will bring us the stories of artists who draw inspiration from the environment. This week we hear from musician and improviser Jim Denley, who has recorded extensively in the Australian outdoors.
In the weeks to come Permapoesis will be featured in this series. I'll keep you posted.
Read more...
I gave a presentation on ecological and community food systems at RMIT a little while ago, invited by Juliette Anich who takes a pretty interesting class on urban food generation. Juliette's students have been developing a research project called The Inevedible Garden, and invited me back to talk as part of a short video work.
On The Inevedible Garden homepage these tenacious students get straight to the point:
"The inevitable advent of urban food gardens, to undermine the current unethical food production methods."
It is so great to see such courage and astuteness from students when big business (Coles and Woolworths and so-called public organisations such as CropLife Australia) is advocating so aggressively for ongoing chemicalised-industrial food production (check out CropLife's greenwash on their website).
We all have a role to play to bring on the local, mycorrhizal, ethical and ecological food revolution! And we all have a role to play to bring down the greedy, chemicalised, cancer-producing, environment destroying agricultures that are fueling climate change. Every dollar you keep out of the supermarkets is a small win for your health and the health of the planet. Don't be fooled by organic food in supermarkets – the ecological footprint of any supermarket food is far too much for the world to sustain. It only takes around 15-20% of market collapse to bring down a giant company, so get involved in your local community, backyard or balcony garden, start one up, find out more about the soil and its billions of workers, grow food anywhere you can, and share it and your experiences with others. These things will bring about significant change and raise your awareness of how our food and our ecologies are linked, things that all other earthly beings know inherently and we have temporarily forgotten. Take back our food systems, where possible make food a non-monetary resource, reduce our enslavement in the monetary economy that serves big business, and reclaim ecological functioning as creatures of the understory!
Read more...